Thursday, November 28, 2013

The Development of Popular Music from the 1960's to Present Day.

During the 1960s, various events in the United States of America, from the assassinations of J. F. Kennedy and M rusein Luther King to the Vietnam fight and Cuban missile crisis, created civil unrest resulting in protests, bourne and riots, which was reflected in the music of the period. Views on other events around the military man such(prenominal) as the riots in Paris, the Cold war and the Russian aggression of Czechoslovakia where expressed through the language of music. Bob Dylan began as a protest singer, setting his lyrics (sometimes expressing anti-war views as in Masters of warfare) to traditional folk tunes, country numbers, or blues. Dylan later went onto chirk up with a list band, bringing the folk style to genus Fossa from his earlier days as a protest singer, and beca contribute of this to the highest degree of his work is musical poetry rather than the hackneyed male child meets female child, boy loves girl, boy loses girl, boy gets girl back formula of 60s frequent music. Another loving element of the 60s bear on music: medicate culture. Drugs were becoming more and more popular in the popular music scene of the time, in specific rock, giving birth to Psychedelic rock. One drug in particular that influenced rock musicians at the time was LSD, a flop drug that creates hallucinations, distorting sense of time, hearing, vision, touch, smell, taste and reasoning. This is clearly reflected in the 1966 album Revolver by the Beatles. The aim of psychedelic, or acid rock was to repair the effects of drugs through music, often including strange lyrics and use of occasional instrumentation, reflected in the use of an Indian Sitar on the break sight track of Revolver.
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The ques! t to re-create the effects of drugs on the well-situated body through music led to great advances in recording technology, creating various effects such as fuzz, wah-wah, you cant celebrate a history paper without sources or citations, but allot about that for a second. perhaps to delve deeper into the subject booster could look at the progression described in allegory to the corperate music industry, and their actions to promote, sustain, block, or destroy various musical movements and expressions. how do these distribution issues apply to the advancement of music as an art? if its not common experience or general noesis that can be found in an encyclopedia you submit to site the sources... no offense.... but i doubt that you atomic number 18 a popular music historian... If you fate to get a full essay, order it on our website: OrderEssay.net

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